The multi-award winning creator of Downton Abbey tells us about visiting a lifeboat station and imagines it as a setting for a new drama

WHO IS JULIAN FELLOWES?
Julian Fellowes is a novelist, Conservative peer, actor and screenwriter, best known for creating Downton Abbey and writing the script for Gosford Park, which won him an Oscar. Julian is currently filming the Downton Abbey movie, working on a new series for US viewers called The Gilded Age, a series about football called The English Game, and scripts for a screen adaptation of his own novel Belgravia.

Why do you support the RNLI?
My parents were very keen on the RNLI. My grandfather was a great supporter and died in the First World War, quite young. I think my father felt that he needed to go on with it, as a link to his own father. And I have a certain amount of naval history in my background. It’s in my blood. Also, my godson Olly is on the crew at Padstow. He finds it very rewarding.
What do you think of the RNLI’s volunteer crews?
I really do admire these volunteers because they’re often called out when the sea is at its most ferocious. They are a tremendous asset to the community. These are men and women deciding to give up their time in the interests of others. We are all increasingly dependent on that, so it does seem very, very important that we should support people who are good enough to do it. With the lifeboat crew, it’s not just giving up time to help – these people are risking their lives, and showing a considerable degree of courage. That deserves to be recognised and saluted.
You supported the RNLI at Lyme Regis Lifeboat Week. What was that like?
It was rather an extraordinary visit, because of this incredibly dramatic tug of war they do each year
when they pull across the mouth of the harbour, so one team or another is pulled into the sea. I did
the ‘ready, steady, go’ bit and had a ringside seat from a boat. They were so phlegmatic about being
plunged into the water. What did you get out of your visit? That being on a lifeboat crew is a dangerous
and brave activity that is tremendously needed in our seagoing community. Clambering up into the lifeboat was the most testing thing, physically, I’ve done recently. You have to remember they’re doing it at speed and they have to get out of their clothes and into their suits in seconds, because seconds may make the difference between life and death.
Do you think a lifeboat station would work as a setting for a period drama?
I think it could be a very good contemporary drama. Because one of the things you want
from a workplace drama is a believable context where people can come from very different backgrounds, occupations, ages and so on – like hospitals or lawyers’ offices. A lifeboat station is a pretty classic example of that; volunteers come from every walk of life and a wide range of ages. There could be some good dramatic material there.

MY FAVOURITE …
Coastal spot?
My beach hut in Devon, with a huge sea view. That is always very reassuring to the senses, a balm. For
my birthday this year I just went for 2 days there and spent the night in the hut.
Book on the beach?
I’m fond of Moby Dick. My wife Emma has assembled a library of sea stories for the beach hut. I read my book, put my feet up and let it all wash away.
Childhood memory?
My parents bought an islet in Ballingskelligs Bay, off the coast of Co Kerry, when I was about 13. Very, very beautiful. We spent many summers there – in the words of Kenneth Grahame, messing about in boats.